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Eugene Alain (E.A.) Seguy
Extremely little is known about E.A. Seguy who was active in Paris from 1900 to 1925.
His mastery of decorative design and coloration is evident in the beautiful pochoir portfolios he created.
Unusual in his capacity to span the Art Nouveau and Art Deco periods, Seguy's portfolio's remain exquisite examples of
ornamentation and composition.
Cover Legend: E. A. Séguy (1889√1985),Papillons, Plate IV, Tolmer
Editions, 13 Quai d'Anjou, Paris, c.1925. Séguy, an entymologist at
the Museum National d'Histoire Naturelle and member of the French
Academy of Science, produced a series of prints that merged the
fields of science and the decorative arts. Nature for Séguy was ⌠a
successful industrial designer.■ Naturalist illustrations and
textile designs, published in eleven albums over a period of thirty
years, reflect Art Nouveau, Art Deco and Cubist styles. Exotic
specimens of butterflies, insects, and botanicals are depicted in
vibrant color and minute scientific detail, often magnified 10√15
times to emphasize intricate patterning and anatomical nuance. The
rare butterflies shown on the cover are intertwined and layered atop
each other on the page, their gossamer wings forming an astonishing
abstract collage. Séguy's prints have served as source material for
artists, textile designers, ceramicists, and book illustrators to
this day. The butterflies in this plate were found in Guiana, Brazil,
India, and Borneo and have appeared, in less dramatic form, in
journals of entymology and comparative physiology. The butterflies
on our cover flutter as freely as a functioning anion channel
liberated from its tethering chaperone. Image courtesy of a private
collector; text by Ann Weissmann, exhibitions curator, MBL/WHOI
Library.
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оЕПЕИРХ Б юПР-ЦЮКЕПЕЧ Eugene Alain (E.A.) Seguy
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